Past Exhibitions | 2011

Kamikaze Wasabi

12 November - 17 December 2011
Hitesh Natalwala, A view from an unfamiliar window, 2011
Hitesh Natalwala, Head shoulders knees and toe, 2011
Hitesh Natalwala, The segmented view, 2011
Hitesh Natalwala, The barborous attitude, 2011
Hitesh Natalwala, Shanks for the memories, 2011
Hitesh Natalwala, Flowering Flax, 2011
Hitesh Natalwala, Tulip Tarda, 2011
Hitesh Natalwala, Begonia Semperflorens, 2011
Hitesh Natalwala, big blue, 2011
Hitesh Natalwala, dual, 2011
Hitesh Natalwala, green thing well hung, 2011
Hitesh Natalwala, It takes all sorts, 2011
Hitesh Natalwala, satelite, 2011
Hitesh Natalwala, a rose is a rose, 2011
Hitesh Natalwala, there she blows, 2011
Hitesh Natalwala, changer 1, 2002
Hitesh Natalwala, changer 2, 2011
Hitesh Natalwala, changer 3, 2002
Hitesh Natalwala, changer 4, 2002
Hitesh Natalwala, changer 5, 2011
Hitesh Natalwala, changer 6, 2011
Hitesh Natalwala, changer 7, 2011
Hitesh Natalwala, changer 8, 2011
Hitesh Natalwala, vessels, 2004
Hitesh Natalwala, Kamikaze wasabi, 2004
Hitesh Natalwala, remnant, 2004
Hitesh Natalwala, sometimes yes sometimes no, 2004
Hitesh Natalwala, The untenable position, 2004
Hitesh Natalwala, Cobra, 2011
Hitesh Natalwala, Coyote, 2011
Hitesh Natalwala, Lynx, 2011
Hitesh Natalwala, The Falcon, 2011
Hitesh Natalwala, The Huntsman, 2011
Hitesh Natalwala, The Meercat, 2011

 opening celebration, Saturday 12 November, 3 - 5 pm

Kamikaze Wasabi is an exhibition of extraordinary variety (with works across the mediums of collage, drawing, pastel and painting). Hitesh Natalwala exposes his fascination with the intricacies and iconographies of different cultures.

Born in Africa of Indian extraction, educated in Britain and now an Australian citizen, Natalwala’s work reflects his experience of cultural migration; the vast and ongoing shift in many societies from uncomfortable confusion, hostility and violence, towards acceptance and inclusion, indeed appreciation of difference.

Polychrome

13 October - 05 November 2011
Richard Dunn, Polychrome: Peony (after Henry Fox Talbot) #1, 2011
Richard Dunn, Food + Poison (Twelve-Tone Chromatic), 2006
Richard Dunn, Polychrome: Redbank Gorge (after Albert Namatjira), 2011
Richard Dunn, Polychrome: Quarta-Tooma (after Albert Namatjira), 2011
Richard Dunn, Polychrome: Peony (after Henry Fox Talbot) #2, 2011
Richard Dunn, Polychrome: Labyrinth, 2011
Richard Dunn, Polychrome: Kashmir/Rajasthan, 2011
Richard Dunn, Polychrome, 2011
Richard Dunn, Polychrome (Blue), 2011
Richard Dunn, Polychrome #1, 2011
Richard Dunn, Polychrome #2, 2011
Richard Dunn, Polychrome #3, 2011
Richard Dunn, Polychrome #4, 2011
Richard Dunn, Polychrome #5, 2011
Richard Dunn, Polychrome #6, 2011
Richard Dunn, Polychrome - installation view
Richard Dunn, Polychrome - installation view
Richard Dunn, Polychrome - installation view
Richard Dunn, Polychrome - installation view
Richard Dunn, Polychrome - installation view
Richard Dunn, Polychrome - installation view
‘Polychrome’ is to do with colour! Coming from the abundance and essential quality of colour in India - indicated in photo and painted works made from Hyderabad - and that coming from  Albert Namatjira’s paintings of gorges in the MacDonnell Ranges, Central Australia, the six paintings are a small compendium and integration of Richard Dunn’s painting approaches and organisational methods over recent years. These paintings supplement and draw from photoworks made after a recent visit to Hyderabad, India.

Back and Forth

10 September - 08 October 2011
Daniel Templeman, Back and Forth (Shanghai) 1, 2011
Daniel Templeman, Back and Forth (Shanghai) 2 , 2011
Daniel Templeman, Back and Forth (Shanghai) 3, 2011
Daniel Templeman, Back and Forth (Shanghai) 4, 2011
Daniel Templeman, Back and Forth (Shanghai) 5, 2011
Daniel Templeman, Back and Forth (Shanghai) 6, 2011
Daniel Templeman, Over and Under 1, 2011
Daniel Templeman, Over and Under 2, 2011
Daniel Templeman, Over and Under 3, 2011
Daniel Templeman, Over and Under 4, 2011
Daniel Templeman, Over and Under 5, 2011
Daniel Templeman, Over and Under 6, 2011
Daniel Templeman, Fronts, 2011
Daniel Templeman, Sides, 2011
Daniel Templeman, Sight Lines, 2011
Daniel Templeman, Sight Lines, 2011
Daniel Templeman, Back and Forth installation view
Daniel Templeman, Back and Forth installation view
Be it a large-scale concrete sculpture or a delicate carbon-transfer drawing, a Daniel Templeman work invites us to question its construction, physicality, finish and ultimately what it reveals or conceals. This conundrum gives his work an illusive quality; it places the viewer within this dilemma. His work is as much about what it does as what it is; the artwork incites a perceptional gap, to be completed by the viewer.
Templeman developed an early appreciation of the illusory quality of veneers, laminates and polishes and saw potential parallels with Minimalism, and continues to explore the possibility of an illusory quality coexisting with a literalist approach, oscillating between hard edge reality and perceptual trickery.

Deborah Kelly Awfully Beastly

10 September - 08 October 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #1, 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #2, 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #3, 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #4, 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #5, 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #6, 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #7, 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #8, 2011
Deborah Kelly, Dream of a common language in the disintegrating circuit (with thanks to Donna Haraway) #9, 2011
Deborah Kelly, Beastliness, 2011
“I fall asleep with lurid lunar landscapes and lush alien ladies limbo dancing before my eyes. In skyscraper heels and skintight spacesuits they want to run, but stumble and fall, their heavy breasts making them teeter and then tip over, right! into! the! arms! of invading robots and swarthy horny evil scientists.

In my dreams I remember space, stars, unknowable entities echoed in the unfathomed realms, and fear of monstrous fecundity projected across human millennia from treacherous man-eating seawitch siren lairs through fearsome folktales and onto the impossible physiques of fertile future babes.

I wake trailing this thread, the sense the archetypes connect in ways we know, in old awe from before we were smooth, before we were upright. Pre-mammalian? And possibly post.”

BBQ this Sunday, BYO

12 August - 03 September 2011
Joan Ross, BBQ this Sunday (flight paths), 2011
Joan Ross, BBQ this Sunday (meet the new neighbours), 2011
Joan Ross, BBQ this Sunday (end of the world as we know it), 2011
Joan Ross, BBQ this Sunday (land grab), 2011
Joan Ross, BBQ this Sunday (Brave New Years), 2011
Joan Ross, BBQ this Sunday (and I feel fine), 2011
Joan Ross, BBQ this Sunday (alpha centauri and omega), 2011
Joan Ross, BBQ this Sunday, BYO, 2011
In the project space, Joan Ross releases fluoro yellow’s rejoinder to last year’s hi-vis orange video work, entitled BBQ this Sunday, BYO, animating Joseph Lycett’s colonial landscape paintings and cast of characters, and accompanied by seven prints.

gbk awardees: where are they now?

12 August - 03 September 2011
Lachlan Anthony, Air, 2009
Lachlan Anthony, Mono-trip, 2010
Lachlan Anthony, Grande Father Clock (mode of operation, performance documentation) #2, 2010
Lachlan Anthony, Grande Father Clock (mode of operation, performance documentation) #3, 2010
Nathan Babet, Here where dwells the god who is lord of all things, 2011
Nathan Babet, Waldsterben, 2011
Nathan Babet, Murmuring leaves, 2011
Nathan Babet, As uncivilised and brutal as beasts of prey wandering over wild untrodden deserts like cattle?, 2011
Nathan Babet, De rerum natura, 2011
Nathan Babet, nullas Germanorum populis urbes habitari, 2011
Nathan Babet, Der Holzweg, 2011
Nathan Babet, Wotan, 2011
Nathan Babet, Initia Gentis, 2011
Nathan Babet, Seven Thousand Pines, 2011
Joel Beerden, Antre study #1, 2011
Joel Beerden, Antre #1, 2011
Joel Beerden, Antre study #2, 2011
Melanie Boreham, Where are they now? getting married. (5), 2011
Melanie Boreham, Where are they now? getting married. (4), 2011
Melanie Boreham, Where are they now? getting married. (3), 2011
Melanie Boreham, Where are they now? getting married. (1), 2011
Melanie Boreham, Where are they now? getting married. (2), 2011
Tara Cook, Spam spam spam spam…Lovely Spam! Wonderful Spam!, 2011
Rosie Deacon, Kangalanga Land, 2011
Dara Gill, Untitled (Self-Help Pulping), 2009 - 2010
Dara Gill, Untitled (Rubber Band Portraits - Jack), 2010
Dara Gill, Untitled (Rubber Band Portraits - Kate), 2010
Dara Gill, Untitled (Rubber Band Portraits - Simon), 2010
Shalini Jardin, mythORlogical? #29-31 of 50   , 2010
Shalini Jardin, mythORlogical? #32-36 of 50, 2010
Shalini Jardin, mythORlogical? #37 of 50, 2010
Shalini Jardin, mythORlogical? #38-40 of 50 , 2010
Hugh Marchant, An Ode To You (Slow Down), 2011
Ben Norris, Salvador, 2011
Ben Norris, Woman, 2011
Ben Norris, Whirling Dervish, 2011
Ben Norris, Mini Plato and Cleo Bust, 2011
Ben Norris, Sleeping Plato Bust, 2011
Ben Norris, St Mary, 2011
Ben Norris, Copulation, 2011
Marilyn Schneider, Paramount, 2010
Marilyn Schneider, Level 1 Westfield, 2011
Dan Simon, Silver Saw
Ioulia Terizis, Untitled (light shadow I), 2011
Ioulia Terizis, Untitled (light shadow II), 2011
Ioulia Terizis, Untitled (light shadow IV), 2011
Ioulia Terizis, Untitled (light shadow IX), 2011
gbk awardees: where are they now?
Each year since 2008, gbk has been helping selected College of Fine Arts Honours students realise their end of year project with a cash injection. It’s time to see where they are now. This exhibition in the main gallery space presents recent work of the 13 awardees: Lachlan Anthony, Nathan Babet, Joel Beerden, Melanie Borham, Tara Cook, Rosie Deacon, Dara Gill, Shalini Jardin, Hugh Marchant, Ben Norris, Marilyn Schneider, Dan Simon and Ioulia Terizis.

gbk: group

09 June - 30 July 2011
Fiona Lowry, Untitled (Belanglo pine), 2004
Fiona Lowry, you cant stop what’s coming, 2008
Hitesh Natalwala, How about me, 2010
Hitesh Natalwala, Let’s roll, 2010

gbk @ Hong Kong Art Fair 2011

25 - 29 May 2011

gbk is participating in ART HK 2011 and will be exhibiting work by Sean Cordeiro & Claire Healy, Debra Dawes, Deborah Kelly, Fiona Lowry, Jess MacNeil, Hitesh Natalwala, Cameron Robbins and Joan Ross.

Stand number 1G05

http://www.hongkongartfair.com

LSDM- Lunar/Solar Drawing Machine

09 April - 14 May 2011
Cameron Robbins, 08:05:2010; 4pm; showers and cool; ECNU Shanghai; 2 hours, 2010
Cameron Robbins, 12:05:2010; 12 noon ECNU Shanghai; wind rising – storms coming; 13:05:2010; 8am; drizzle; 20 hours, 2010
Cameron Robbins, 05:05:2010; rain eased off, still; 7 and 1/2 hours; ECNU Shanghai, 2010
Cameron Robbins, 27:04:2010; Wok shop; still, silver sun; 14 hours; Feng Da , 2010
Cameron Robbins, 26:04:2010; 4:30pm; rain eased off; 27:04:2010; 25 and 1/2 hours, 2010
Cameron Robbins, 28:04:2010; 7am – 10:30am, cool morning; 10:30am – 5:30pm, wind rising, 2010
Cameron Robbins, 25:04:2010; 1:30pm; warm and sunny; 4pm; 2 and 1/2 hours; Shanghai, 2010
Cameron Robbins, 14:05:2010; 7pm; ECNU Shanghai; Hangzhou Return; 15:05:2010; 7pm; 24 hours, 2010
Cameron Robbins, 16:05:2010; Sunday; 5pm; ECNU Shanghai; solid rain – building up S.E; 15 hours to 8am; rain at 4am , 2010
Cameron Robbins, 08:05:2010; 5:50pm; ECNU Shanghai; showery and cool; 29 and 1/2 hours , 2010
Cameron Robbins, 05:05:2010; 9:56am; heavy rain, strong winds – light rain, easterly; 24 hours; ECNU Shanghai, 2010
Cameron Robbins, 07:05:2010; 3 hours; light rain; ECNU Shanghai, 2010
Cameron Robbins, Shanghai rooftop wind drawing machine installation
Cameron Robbins, installation view - gbk
Cameron Robbins, installation view
Cameron Robbins, installation view - gbk
Cameron Robbins, installation view - gbk

Would Cameron Robbins please make up his mind? He has been described as an artist / scientist / engineer / inventor / musician / alchemist. His special interests concern natural phenomena and the way they are documented, or, perhaps more accurately, ways they can illustrate themselves.

From invisible to visible: over the next month a newly installed solar panel on the roof of the gallery will feed RobbinsLunar/Solar Drawing Machine, transcribing the sun’s energ.

 

Drunken Clarity

03 March - 02 April 2011
Sean Cordeiro & Claire Healy, Drunken Clarity, 2011
Sean Cordeiro & Claire Healy, Drunken Clarity, 2011
Sean Cordeiro & Claire Healy, Drunken Clarity, 2011
Sean Cordeiro & Claire Healy, Drunken Clarity, 2011
Sean Cordeiro & Claire Healy, Drunken Clarity, 2011
Sean Cordeiro & Claire Healy, Drunken Clarity, 2011
Sean Cordeiro & Claire Healy, Drunken Clarity, 2011
You may well think you have missed the celebration; empty bottles litter the floor of a gallery seemingly empty of ‘art’. But Sean Cordeiro & Claire Healy are once again exhibiting their uncanny ability to deconstruct an object, then reconfigure it into something intriguing and aesthetically more pleasing.

Project Space: Blank Surface

03 March - 02 April 2011
Shay (Shagheyegh) Mazloom, Blank Surface, 2011
Shay (Shagheyegh) Mazloom, Absent Present, 2011
Shay (Shagheyegh) Mazloom, Tell your wives 1, 2010
Shay (Shagheyegh) Mazloom, Tell your wives 2, 2010
Shay (Shagheyegh) Mazloom, Tell your wives 3, 2010
Iranian artist Shay Mazloom uses her body as a screen upon which descriptors are projected like some kind of scrolling viral tattoo, or laser-like scanning device searching the body for a vulnerable crevice or opening.

First. One. Thing. Then. Another.

01 - 26 February 2011
Jess MacNeil, Slow Motion Fountain, Shonibare with Titions, 2011
Jess MacNeil, Blue Shift; Trafalgar Space Painting, 2011
Jess MacNeil, Shadow Loop: Walna Scar  , 2010
Jess MacNeil, Ghost Loop: Slip White Moss, 2010
Jess MacNeil, Clear Cool Central Park, Preceeding Dystonia  , 2010
Jess MacNeil, Windermere Calm, Soft Glow after the Mesmeris, 2010
Jess MacNeil, Trafalgar Square Loop, 2011
Jess MacNeil, Lake Land Lapse   , 2010
Jess MacNeil, Grasmere Ghost Loop, 2010
Jess MacNeil, Trafalgar Fountain Topology  , 2010
Jess MacNeil, Bosphorus; Light Bearing, 2011
Jess MacNeil, Revolution, 2011
Jess MacNeil, Hawkshead, 2011
Drawing on movement as the generative agent of their composition, the images and objects of First. One. Thing. Then. Another. trace and respond to nuanced shifts in time and space: the sliding of the gaze over the landscape, individuals transitioning through public space, the trails left by the artists own body via the motion of the camera and the gestures of the brush, and, eventually, the changing relative positions of viewer and art object within the gallery.

Employing the properties of acrylic sheet to facilitate direct access to the space ‘behind’ the image, whether painting or video projection, this space has become an active component.  The images’ supporting structures are made explicit, underscoring the materiality of the image and playing with slips between literal space, material presence, and conceptual or illusory space opened up by each work.